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that I am just coining excerpts from articles together
and a litle bit of research that I did. New events are
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Tropical Depression's founder talks about the birth of the
beat in the Philippines.
By: Eric S. Caruncho
Sunday Inquirer Magazine April 20, 1997
Filipino musicians felt an
affinity with reggae early on, its eccentric rhythms (with
the distinctive accent on the afterbeat that
made it such an irresistible dance music)
reminding them of earlier imports such as the cumbanchero
music popular in
the 1950s. By the late 1970s, groups such as Asin were experimenting
with Tagalog songs set to reggae rhythms.
It would be a while, however, before, before a
Filipino reggae band would emerge. But this is getting ahead
of the story.
Gamboa formed a new band
called Tropical Depression towards the end of 1991. The
name came
from a previous band he had been in, a four-piece hard rock
outfit.
But given the natural progression of things - ska being,
after all, the predecessor of reggae -
the new, improved Tropical Depression was to be pure reggae band.
This was nothing new: for years, Cocojam had ruled the roost
at Mayric's with a repertiore that consisted
almost entirely of Bob Marley covers. Now
it was time to find out if there was room for more than one
reggae band in Manila.
JAH music at Afro-Asia
By: Ernesto M. Hilario
The Sunday Chromicle February 9, 1997
Reggae was introduced in
the Philippines in the early to mid-'70s largely through
the radio (DZRJ), and Marley records But
the first local reggae band - Eurasia - was formed until
the mid-'80s, with Sammy Asuncion on guitar, Rico Velez
on Bass and Rene Santos on
drums. When Eurasia went their separate ways, Coco Jam stepped
into the breach and filled the local folkhouse circuit with the distinctive
reggae beat.
Cooco Jam's founder is Rolly Maligad, who cut his teeth
in the late '70's
on standard folk tunes - Simon and Garfunkel, Cat Stevens,
Don McLean -
as one-half of an outfit called Ric and Rol. He switched
to reggae in the mid-'80s, putting together
a line-up that included Noli Aurillo on guitar, Rene
Santos on drums, and a trio of women back-up vocalists.
The band played regularly ar Mayric's in Manila and Larry's Bar
and Kalye in Makati.
Coco Jam's personnel have changed over the years. Ace guitarist
Jun Lopito took over the guitar chores
when Aurillo left for Thailand. Veteran musician Rico
Velez returned from Zimbabwe to play bass guitar while
Nowie Favila (Now of Ang Grupong Pendong)
and later Edmond Fortuno occupied the drummer's seat.
Interview the sponsorship for the 1st Reggae Exhibit in
the Philippines
Manager of Weblinq Cebu 1997
In 1986, Maximum at Zero, a band from Cebu started to fill
the local music scene with reggae.
Power 25
By: Gerard Pareja
SunStar Weekend January 5, 1997
Sunday Reggae Sun Splash
The Philippines' only four-hour reggae show (Z106 Sundays
10 am to 2 pm, hosted by JJ Gonzalez)
has a solid Bob Marley program every other hour
(the first from 10-11 am, the second from 1-2 pm). The rest
of the show features reggae songs from different artists the world over, including
a couple of Cebuano acts.
Raw Belief
Cebu's past and future reggae band. With their early
90's hits "Circles"
and "Baso." they were able to craft Marley's
sound into the Cebu College Pop frame.
Why, even the high school girls were groovin' to it. Now
the group is "on-air" again
(at least in Z106) with the songs, "First
Step" and"
Revolution." Just a few more reggae members with Cebuano
lyrics and this group will be well on
its way to establishing Jamaica in Colon.
Data
Last Leaf
A band with all its members from JAH People Society. Doing
covers from Bob Marley. They also perform their own songs.
Last Leaf projects the early Bob Marley and the Wailers soulful
music. Even brings the vibration of a reggae group.